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A better quality version here: http://www.youtube.com/watch?v=I_xZ6tiOZLQ
A performance of Anthony L’Abbé’s solo Passacaille to music by Jean-Baptiste Lully from the tragédie en musique “Armide”.
This solo choreography was published in Beauchamp-Feuillet dance notation in 1711 by Edmund Pemberton, and was adapted from an earlier (c.1706) Passacaille for two women that is also extant in notation. Here it has been reconstructed by Philippa Waite with reference to dancing manuals from the first half of the 18th century.
The musicians in this performance are:
Andrew Wilson-Dickson – Director/Harpsichord
Emma Harrhy – Baroque cello
Sophia McKenna – Baroque oboe
Barry d’Souza – Baroque violin
Gillian Stevens – Viola da gamba
Philippa’s costume is after a design for a female dancer from the studio of Jean Berain, c.1685.
For more, see our website: http://www.ukbaroquedance.com
Quel dommage! On perd la majeure partie de l'intérêt puisqu'on ne voit pas les pieds.
Not showing much on the feet. But maybe it wasn't about the feet so much. Interesting though.
There is a green rectangle on the screen?
merci, tre belle !
Check out the version in my Lully playlist. Second from bottom. It was the first I found and it's still my favorite. No dancing in it though.
Philippa, I'm so glad you uploaded this! I need to go back and look at the whole video, it's been a while! Best wishes!
This is the most beautiful rendition of the Passacaille that I have found on Youtube, but I can't get rid of the green rectangle on the screen because I can't change the resolution. Beautiful playing and dancing!!
That's like comparing tap dancing to classical ballet! Your language is not too respectful.
Realmente uma elegância que ficou no tempo e em grande parte foi estragada pela empáfia dos nobres!
I looove Baroque, but with all due respect, after watching Irish dancing this looks like shit.
This is astonishingly beautiful, very moving indeed. And the lady Waite dancing is a real joy to the eye,gorgeous and delicate movement and perfect sense of rhythm. I've seen this a few times now, simply mesmerizing.
@SecretTheatre Have you ever listened to the same piece played by "Les Arts florissants" (dir. William Christie) ? Probably not – you would perhaps not have written that comment…
Very beautiful performance. I will definitely ask to study Baroque dance with you the next time I am in England. I was just wondering if your pleasant smile is wholly appropriate for the serious Passacaille genre. Was the smile welcome, or just an inadvertent outgrowth of this wondrous music and dance?
Such a wonderful performance. Very inspiring. Have you any more videos of your dancing? Such graceful hands, especially the subtle turns from 5'28 near the end. Amazing!
How beautiful… grace, elegance, but also sensuality and sexiness (yes!) expressed in a way which only evokes, a way which makes you understand everything without the need to say a single word, be it explicit or vulgar… this is real art, all the half-naked lady gaga and the rihanna of the world with their pathetic and awkward moves don't have the sensuality of a hidden knee of this ballerina and her dance.
I have a pathological obsession and a drug-like addiction to the French baroque. I play the lute and specialize in music from this period. A project like this has been on my mind for ages but just can't find a dancer in Vancouver…
My kindest regards and best wishes !
Upload more stuff!
Sure beats the disco crap they do today.
Gosh… why do people look to other cultures for inspiration, in my opinion European culture is just as exotic as any other. So varied, so expressive, so beautiful.
Thank you for posting such a musical/ dance gem.
@JelliusAugustus Hey, I know of a baroque dancing school in Belgium! I've seen some of the members perform in Chateau d'Ursel near Antwerp
Go Philippa, brilliant!
@midnightblue80 Don't forget that the Passacaille was a standard musical form in 3/4 with a repeating basline in the descending minor scale from do to sol, so all Passacailles end up sounding similar.
Good morning together. The next thunder is coming.
@SecretTheatre Well – if that is true – you must not have witnessed much.
Exactement. Le rythme est beaucoup trop lent…
Yes even if, but they still play in a pretty dull way. Sorry, that's my opinion!
@mariaimmaculata hahaha! Two of those players happen to be Sophia McKenna – principal oboe in The English Concert and Andrew Wilson-Dickson, one of the country's finest keyboard players!
Looks pretty nice but the musicians are not very good. Nowadays one could easily get more capable baroque players….
her gown is so wrong..
wrong costumes…