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http://www.ukbaroquedance.com
A performance of Anthony L’Abbé’s solo Passacaille to music by Jean-Baptiste Lully from the tragédie en musique “Armide” (1686).
This solo choreography was published in Beauchamp-Feuillet dance notation in 1711 by Edmund Pemberton, and was adapted from an earlier (c.1706) Passacaille for two women that is also extant in notation. Here it has been reconstructed by Philippa Waite with reference to dancing manuals from the first half of the 18th century. There is also another female solo to the same music by the choreographer Pécour.
The musicians in this performance are:
Andrew Wilson-Dickson – Director/Harpsichord
Emma Harrhy – Baroque cello
Sophia McKenna – Baroque oboe
Barry d’Souza – Baroque violin
Gillian Stevens – Viola da gamba
Philippa’s costume is after a design for a female dancer from the studio of Jean Berain, c.1685.
Filmed at Margam Orangery.
For more, see our website: http://www.ukbaroquedance.com
😇🙏🙂👏👏👏👏👏👏👏🌼🌺🍀
good sex
Прекрасно танцует.
Красавица.
Lovely music. Is the dance historically justified?
Quelle grâce ! Son sourire nous fait rêver !
So, a major part of baroque dance is footwork, which we are not allowed to see.
La grâce avait un nom "La belle danse de courc"
Quelle grâce et quelle fluidité
Ez az a fajta tánc,ami csak békauszonyban tud érdekes lenni,úgy is csak két percig!
Meraviglioso
Cannot see what she is doing most of the time, despite the beautiful dancing. Disappointing.
This performance sounds like a funeral march.
This a theatrical dance piece — here's an excellent example of an appropriate tempo: https://youtu.be/mVnksxk5gyE
I must watch this 2 -3 times a day and it never tires. So much to appreciate and watch.
beautiful music, dance is stupid (XXI century thought)
Великолепная и красивая грация. Как зовут исполнительницу танца? Красивая женщина.
Bravo Emma biutiful I lav you.
The ending seems awkward for some reason.
Sublime
How frustrating that we cannot see her footwork throughout the dance! What was the cameraman thinking?
Isn't the tempo quite a bit too fast? I was always taught that the Passacaglia was a slow, stately dance, performed (as a solo instrumentalist) Adagio, or Largo, or some other slow tempo. The tempo here is at least Andante if not Allegretto.
Very beautiful performance with fine port de bras, just why does the soloist end her dance before music? It looks a bit strange… Is it so written in the notation? I have never come across such a thing…
Philippa Waite is just THE best! So graceful and effortless. Beautiful playing too.